Ryuichi Sakamoto calls for a stop to Jingu redevelopment plan.
"Each person has a vision of where they want to live, and this vision is shared to shape the city,"
english.kyodonews.net/news/2023/03/f…
Perhaps the sounds of the Prophet 10, the muffled sounds of the upright piano, the percussive sounds of the broken handmade pottery pieces (track 12)—I know that’s almost all of the sounds.
If you mean sounds that aren’t in the album, I have to say the sound of rain.
Also, when it’s a windy day, my collection of windchimes, bells, and pieces of pottery that are hanging by my windowsill ring out and that makes me happy.
#skmtnews#ryuichisakamoto#坂本龍一#twelve
A Q&A about 12 with
@commmons
and Ryuichi Sakamoto
制作期間中、耳に入ってきた「音」の中で、特に好きだった音を教えてください。
Of the sounds that you heard while composing, did you have any particular favorites?
This feeling is similar to how I consciously created in the latter part of my teenage years.
This is something I thought about while I was composing too.
#skmtnews#ryuichisakamoto#坂本龍一#twelve
I have to say that the piano pieces in the latter half are different from the first half. The first feels more like showering in sounds while the latter half is strongly conscious of creating.
When you revisited the music by listening to the album all the way through, did you have any discoveries or new understandings that you didn’t have while making them?